Darby Crash co-founded the influential LA punk band the Germs with Pat Smear. He died in December 1980.
From an interview with Darby Crash biographer Brendan Mullen
Question: What do you know about Darby’s trip to England and his subsequent obsession with Adam & The Ants? Who did Darby hang out with in England?
Mullen: He went to England for a month or so in early summer of 1980 with a woman named Amber, his latest patron, a woman he lived with for a while who picked up the tab for everything. They stayed with Amber’s friend Jordan who was a key designer-stylist in the classic Britpunk fashion look. According to Amber, Darby asked Jordan to give him what people called the “Mohawk” hairdo, although “Mohican” was actually the correct name, something Darby kept pointing out, but to no avail. Mohawk stuck in the vernacular. Mohican didn’t. Still is that way. Darby’s role model for the Big Make-Over-in-London was clearly Adam Ant and his Antpeople entourage of post-punk fashion casualties.
Here are some photos of Darby Crash sporting his Adam Ant inspired getups and his influential Mohawk haircut:
Adam Ant the Ants- Kings of the Wild Frontier (Top of the Pops 1981)
A lot of people who I follow on Tumblr are teenagers who are beholden to the music of the 1960s and 1970s, and I get that. It was an amazing time in music. And I’m sure that it might seem odd to people that I post about the Monkees and then a band like Oasis or Adam Ant or Tame Impala. But to me, all of these bands are very connected and important in their own way.
Music is so interconnected that to me, liking something outside of that small parameter of time isn’t that weird. Adam obviously named the Ants as an homage to the Beatles, and his influences are clearly T. Rex, Roxy Music, Motown records, and the same music of the 50s that influenced people like the Beatles.
This particular song uses two drummers playing the Burundi style of drumming made popular by Bo Diddley in the 50s, and the guitar riffs not just on this song, but on their first album are a direct nod to “Rumble” by Link Wray, which is also, as we all know, a favorite track of Jimmy Page.
Adam’s fashion sense is also a mix of the sort of freak clothes that the GTOs and the dandies in the UK in the 60s wore, but obviously with more of a punk/ugly aesthetic.
I don’t really know my point except to say that there is good, fun, well-crafted music from every decade. The 60s gets a lot of press for being an amazing decade, but every decade has valid cultural movements that make society change for the better.
Like Syd Barrett wearing eyeliner in the 60s and then David Bowie and the glam kids following his lead, and then Adam Ant and the punks doing the same but twisting it so it was “ugly/pretty”, and then Adam Ant influencing people like Boy George to feel comfortable enough with himself to wear makeup, etc. It’s all important. If the 60s was a renaissance for the women’s movement and civil rights, I’d like to think that these male popstars being so open about their sexuality and wearing makeup and still being considered sexy and desirable and that it was OK to be a little femme was helpful in the major movement in the 80s, the gay rights movement.
And then Adam influenced the next generation of British musicians like Suede and Blur who definitely took a similar approach to gender roles in the 90s.
But like all of our 60s heroes, these are still catchy three and a half minute pop songs. This is still a person who has the same influences and background as many people from the 60s. All he was doing was just modernizing it for the times and twisting it around a bit.
I know it’s easy to get stuck in one frame of mind in terms of music, but when you really think about it, whether it’s Jimmy Page in the 70s or Adam Ant in the 80s or Blur in the 90s or Jack White, all of these dudes are all musical peers who are worthy of attention, in my opinion.
Faintly Amused 